The Woman in the Wallpaper Part Three

Today’s post is the conclusion to the short essay titled “The Woman in the Wallpaper.” The piece was composed in response to a course requirement at Simpson University.

This true account was originally written in past tense. At the advice of my professor, for the purpose of this blog (and other future publications) it was rewritten in the present tense, as it is presented here.

The Woman in the Wallpaper Part Three

I’m stretched full-length on a soft, pillowy gray couch.  My head rests on a small bolster near the arm and my stockinged toes touch the armrest opposite. The room is dimly lit with lavender scented air that lends to the serene, safe atmosphere. Gail, my crisis counselor, is seated in a plush, charcoal colored, high-backed chair opposite me.

I begin the session with the encounter with my mother. I also tell her of the quiet voice that went unheeded that day. I add that I have never mentioned this to anyone before. I tell Gail how I wanted to tell my mother that God had been trying to keep me from being hurt that day. I say that even though I ignored the voice, God still kept breath and life within my tortured body.

I ask a rhetorical question: “Did my mom forget the phone call to come say good-bye as I was not expected to live through that night?” Gail doesn’t answer.

“You didn’t mention any of this to your mother?” she asks.

“No.”

 “Why do you think that is?”

“I don’t know. She wouldn’t believe it anyway.”  I envision my mother scoffing at the idea that God wanted to keep me safe.

“Why didn’t you get out of the truck?” she questions with a soft and gentle tone yet her steel-gray eyes drill through me like an awl that seems to touch my spine.

My head and shoulders droop, my eyes focus on the fingers of my right hand resting on my lap and clutching a battered tissue as I anguish.

I explain that there were a lot of reasons: the lack of a ride––no one to call to pick me up­­–– and my desire to spend Independence Day with my love.  I tell her how I wanted to avoid my sister, Lisa, who was staying in our house––we had been bickering.  I didn’t want to spend my holiday arguing with her. I tell her that’s just how me and Lisa are: we get along great for about two days, then the tensions roil into ugly scenes. It was our third day together and I was fearful things would turn. I lower my voice and add that maybe that’s what I told myself in the moment to justify my staying on the truck.

                                                                * *  *  *

I am like Gilman’s woman in the yellow wallpaper; searching and longing to escape my self-imposed prison.  This prison of shame since that blistering-hot July afternoon. This voice of shame––­a frenemy carrying the false claim as protectorate of my soul–­–is squawking in my ear like a parrot belting out mimicry.

Platitudes such as ‘beauty is only skin deep’ and ‘beauty is in the eye of the beholder’ fail. The game continues, still, 19 years of you take it––no you take it. Why should I take on your gift of shame? This is only something that happened to me.

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The Woman in the Wallpaper, Part Two

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Today’s post is a continuation of an essay written as a university assignment. Every detail is true, except for the name change of my then fiancé, known here as Frank.

 

The Woman in the Wallpaper––Part Two

Months later, while roaming the aisles of Target Stores, I note a young boy of about 14 years stalking me. I am decked out in all my protective, full-body compression garments, that includes a clear facial mask. (This is medically required that I wear these twenty-three hours a day. The purpose is to help compress the scars from raising, and to reduce bumps and ridges.)

It isn’t a sophisticated style of stalking but spawned by curiosity. I am bone-weary of these encounters.  I turn the corner and hide behind the end-cap of bottles of Arrowhead water. I hear the smush-smush of tennis shoes approaching. I jump out and yell BOO. The gloriousness of his terror pervaded, faded, then a squawk, the voice of shame in my ear like a parrot belting out mimicry.  Yet I laugh as the boy runs his 100-yard dash. I wonder at my maturity.

Burns scars are external––I can’t hide them– yet they leave a different kind of scar. I see it in the eyes of others. I detect it in the eyes of misogynists especially, who think a woman’s only purpose in life is to provide beauty and slave to their every need. I see it in the soul’s window of other women: a thankful gleam for their retained beauty and a twinkle of superiority. Other times, it is pity that reflects back to me.

They proffer a shiny-gold, gift-wrapped box tied with a pretty pink bow: take this gift and accept the shame enclosed. They say things like “People can tell you used to be a beautiful woman” and “If I were you, I wouldn’t go out in public, I’d be a recluse.”

I accept the gift of shame at my appearance. It is a mill-stone weighted necklace causing my head to hang.  I think this talisman will protect me, but I deceive myself.  I attempt to return it and rid myself of the weight. We play the you take it––no, you take it–– game.

 * *  *  *

I sit across from Jim at his gray, metal desk, a desk piled with paper; coffee-stained and tinged with pale yellow.  Jim, my trainer, is teaching me to box like a butterfly and sting like a bee. He drones on about something––I am multitasking, listening with one ear (my good one) while composing a text message on my gold, iPhone 5. Then he gains my full attention.

“You know, my father-in-law is a burn survivor. I remind him when he is down that this is only something that happened to him. It is not who he is: it doesn’t define him as a person.”

I stare back into the dark, brown eyes, a brown so dark they are nearly black. Images come of an encounter the day before when a fellow burn survivor reproved me for hiding my left hand behind my back.  I look down at the now-still fingers of my right hand and think about the mismatched set I now own. The sight of my “lucky fin” fills me with shame.

Yet I sit silent.  I don’t tell Jim my mother said God had done this to me because I wasn’t going to church and was living in sin with Frank. I don’t mention how our blue eyes locked––I had my mother’s eyes–– how my own blues eyes were filled with venomous fury at her accusation, nor of my fiery retort.

The internal dialogue runs through my mind like a Dow Jones’ ticker tape: “No, Mom, he didn’t. I’m his child. Would you do this to your child –– would you do this to me?”

But I sit silent remembering the slammed doors, gravel spewing, how I varoomed my black Dodge Ram away.

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Me in my mask, circa 2000, and pictured with Frank’s nieces and my daughter, Christa, in the background.

 

Quiet on the Blogging Front: The Happy Soul

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It’s tricky navigating through the junk.

 

I’m back after a hiatus full of funk, junk and many deliveries to the local transfer station, formerly referred to as THE DUMP in childhood days.

 

 

 

We mark our days by events. Having surpassed the 19th anniversary of the worst day of my life, I’ve been in a funk, a funk dark and deep enough that writing didn’t seem to bring joy.

In an attempt to prod my way out, I’ve been clawing and pawing through useless junk in my home.

Sorting through things I once valued, I find the hardest part is making decisions: stay or go? Sometimes it’s really tough.

Asking myself two questions helps speed the process and eliminates much hedging: “Has this thing served me?” and if the answer is in the affirmative I ask: “Will this continue to be beneficial to me on a regular basis?”

Murphy’s Law says that the thing I stored for 15 years and never used, will be the exact item I need in two weeks’ time. Such is life.

The new rule is that if I bring something new into my home, something old has to go.

Paralleling this physical activity, I’ve encountered meaningless emotions, thoughts, attitudes, perspectives and memories tied to these things. I am actively exposing the crap to daylight, dusting them off and asking the same two questions above. These things haven’t always served me well. Thus, the rule applies: bringing a new (positive and edifying) thought, emotion, etc., into my soul requires the old must go.

This requires active, purposeful and constant care. I suspect it’s going to take a lifetime. A healthy soul is a happy soul.